Harvard Review 44
| Christina Thompson |
FICTION
| Marjorie Sandor | DarkFruit.com |
| Edith Pearlman | Blessed Harry |
| Linda Bamber | Cleopatra and Antony |
| Mimi Lipson | the_lettuce |
| Todd James Pierce | Rock Man 1951 |
ESSAY
| Kevin McGrath | Walking to Windward |
| Robert Anthony Siegel | Nothing That Wants to Run Away |
| Ander Monson | Bind in Everything |
POETRY
| Ravi Shankar | Notes towards Timekeeping |
| G. C. Waldrep | Gospel Acre |
| Peter Jay Shippy | And He Makes His Hand into a Soft Gun Thunder Lizards |
| Noah Blaustein | American Thrush: Search and Rescue |
| Raphael Allison | Dog Soldier Comes to Farm & Wilderness |
| Jeanne Marie Beaumont | Folk Art Portraits of the 1700s |
| Tomaž Šalamun, trans. Michael Thomas and author | Chilled Wittgenstein |
| Sean Hill | |
| Timothy Donnelly | Traveler |
| Stephen Dunn | Intrusions |
| Erin Glass | The Nanny |
| Annie Finch | Television |
| Jonathan Weinert | History |
| Paul Kane | On a Mountaintop at Night |
| Dariusz Sośnicki, trans. Piotr Florczyk and Boris Dralyuk | Of Things and People |
| Henry Israeli | Swing |
| Daniel Borzutzky | The Falling Bodies |
DRAMA
VISUAL ART
| Donald Baechler | Still Life Black Flower Pitcher Maze Five Finger Discount Many Rights, Many Wrongs Pocket Watch River of Bridges |
| Richard Diebenkorn | #26 from 41 Etchings Drypoints Untitled (Ranunculas and Cane Chair) Untitled (Seated Nude) Woman in a Window Head Woman in Hat and Gloves Untitled (Still Life, Table Top, Cane Chair) Scissors and Lemon, II |
| Courtney McClellan | Pill Box (detail) Closed Book (detail) |
| Peik Larsen | Tree Trace Founder Shades Acetate Salamander Viburnum Brush Tree Pixel |