Harvard Review 58
| Christina Thompson |
FICTION
| Laura van den Berg | Stepmothers |
| Debra Spark | The Morrison Triplets |
| Mark Chiusano | Lake High |
| Alexandra Chang | Flies |
| Katherine Vaz | King’s Cake |
ESSAY
| Russ Rymer | Northern Lights, Southern Cross |
POETRY
| Andrea Cohen | Rhubarb and Garbarge |
| Rachel Galvin | Fine Arts |
| Cate Marvin | I am in the House and I Have the Key |
| Hanna Hirsh | Chaos Theory |
| Victoria Redel | Ordinary Sight |
| Jacqueline Osherow | Fastrack: Beijing/Montana/Harlem |
| Kelli Russell Agodon | In One Calendar Day We Live a Thousand Lives |
| Verónica González Arredondo, trans. Allison A. deFreese | Inferno Sky |
| Victoria Chang | The Wren, Migration, Here Together |
| Katie Peterson | Fog |
| Sharon Olds | Wasn’t Afraid of |
| Terese Svoboda | Solitude |
| Laura Kasischke | The Nostalgia for Infinity, Neighbor |
| Kwame Dawes | Laredo at Dusk: Memory |
| George Kalogeris | The Evening Star |
| Michael McGriff | Chemotherapy, Fire |
| Jesse Nathan | Spring Scene, Winter Scene |
| Kimiko Hahn | Starting with Face, Ever, Not, and Air |
| Tom Sleigh | My Father as a Garden Snake, For My Mother’s 96th Birthday |
| Diane Thiel | Green Honey and Violet Sheep |
| Joan Wickersham | The Shipbuilder’s Widow |